tag:blogger.com,1999:blog-7650768303543004296.post5683863871587058402..comments2023-10-05T07:50:27.039-07:00Comments on Specs: Replay actionAdrianhttp://www.blogger.com/profile/12262303736701954021noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-7650768303543004296.post-6312287694630180972014-07-25T00:35:11.232-07:002014-07-25T00:35:11.232-07:00Good choices all. Dance music and all its offshoot...Good choices all. Dance music and all its offshoots rely on the very thing you talk about. Giorgio Moroder knew a thing or two about riffs/hooks (the very core of repetition) and if you don't believe me, take a listen to the extended version of Donna Summer's I Feel Love. Often sampled, borrowed and nicked, Mr. Moroder has go a lot to answer for.<br /><br />No mention of Jah Wobble in the engine room at PIL. He was instrumental (see what I did there?) in their droning dirge. His subsequent solo output is full of that sort of thing.<br /><br />Talking about droning dirges, folk music has it in spades: jigs and reels that go around and around and around...not least, often, due to instruments like the hurdy gurdy.<br /><br />Good post!<br /><br />J<br /><br /> John Meddhttps://www.blogger.com/profile/10547777949324509522noreply@blogger.com